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Unmanned Ground Vehicle "Lewiatan"
Awarded Gold Medal of the World Fairs INNOVA in Brussels 2009.
Designed together with Paweł Balcerzak, Bartosz Dobrowolski, Michał Stefanowski
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Bezzałogowy pojazd lądowy „Lewiatan”.
Nagrodzony złotym medalem na międzynarodowych targach innowacji INNOVA w Brukseli, 2009.
Zaprojektowany w zespole z: Paweł Balcerzak, Bartosz Dobrowolski, Michał StefanowskiAutomotive Design, Engineering, Industrial Design2007 -
Infobox IB 137.
Infokiosk designed together with Michał Stefanowski.
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Infobox IB 137.
Infokiosk zaprojektowany z: Michał Stefanowski.Engineering, Interaction Design, Product Design2012 -
Infokiosk IB190, designed together with Paweł Balcerzak, Bartosz Dobrowolski, Przemysław Siemiński, Wawrzyniec Skoczylas & Michał Stefanowski for Infobox.
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Infokiosk IB190, zaprojektowany z: Paweł Balcerzak, Bartosz Dobrowolski, Przemysław Siemiński, Wawrzyniec Skoczylas & Michał Stefanowski dla Infobox.Industrial Design, Product Design2007 -
The Personal Soldier's Communicator PSI is combining three different devices in a single casing, that is: a mobile phone (smartphone), a PDA (personal digital assistant) computer and soldier’s personal radio.
Designed for WB Electronics in cooperation with Michał Stefanowski.
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Osobisty komunikator żołnierza PSI łączy trzy różne urządzenia w jednym: telefon komórkowy (smartfon), PDA (personal digital assistant) i osobiste radio żołnierza.
Zaprojektowany dla WB Electronics w zespole z: Michał Stefanowski.Engineering, Industrial Design, Product Design2011 -
Snail. The flowerpot.
School project: Academy of Fine Arts in Warsaw, prof. Justyna Bąbel-Piktel.
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Snail. Wazon.
Projekt studencki, Akademia Sztuk Pięknych w Warszawie, prow. Justyna Bąbel-Piktel.Crafts, Interior Design, Sculpting2007 -
The unmanned recconnaisance-operating ground vehicle [UGV] Florian, serving for emergency purposes.
The project is being developed by INNO+NPD for WB Electronics, in cooperation with the Military University of Technology in Warsaw. The existing prototype has been built by Hydromega. In current phase of the project the design team works on integrating the electronic equipment, providing remote control of the machine to perform recconnaisance, deliver data and other special tasks.
The project is supported by the National Centre for Research and Development.
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Bezzałogowy pojazd ratowniczo-pożarniczy Florian, przeznaczony do akcji rozpoznawczo-operacyjnych.
Projekt realizowany przez INNO+NPD dla WB Electronics we współpracy z Wojskową Akademią Techniczną. Prototyp wykonany przez firmę Hydromega. Obecnie trwają prace nad integracją komponentów elektroniki, umożliwiających zdalne sterowanie pojazdem, realizowanie funkcji obserwacyjnych oraz zadań specjalnych.
Projekt powstał dzięki wsparciu Narodowego Centrum Badań i Rozwoju (NCBiR).
Maciek Sobczak, Michał Stefanowski (INNO+NPD)Automotive Design, Industrial Design, Product Design2014 -
My bike.
Designed and self-rebuilt from scratch, using components from 1970s.
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Mójd rower.
Zaprojektowany i zbudowany od podstaw, przy użyciu części z lat 70.Automotive Design, Industrial Design, Product Design2011 -
A clothes hanger. Let's go to Warsaw and buy some clothes!
Since 2008 one of the official promotion gifts from Warsaw City Hall.
school project: Academy of Fine Arts in Warsaw, prof. M. Stefanowski.
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Wawawieszak. Wpadnij do Warszawy, aby kupić trochę ciuchów!
Od 2008 r. Wawawieszak jest jednym z oficjalnych gadżetów promocyjnych Urzędu m. st. Warszawy.
Projekt studencki, Akademia Sztuk Pięknych w Warszawie, prof. M. Stefanowski.Advertising, Interior Design, Product Design2007 -
Mizar lamp is a member of product line, developed by INNO+NPD for ROSA in 2011.
The advantages of LED light source are visible at first sight — the modern form corresponds to the technology, but also alludes to the old gas street lamps.
designed by: Paweł Balcerzak, Bartosz Dobrowolski, Michał Stefanowski, Maciek Sobczak, Łukasz Wysoczyński
in cooperation with: Przemysław Siemiński, Sławomir Zalewski (engineering, optics)Architecture, Industrial Design, Product Design2011 -
Harmonic Chair is an answer for a task assigned to young polish designers in 2012.
Elle Decoration magazine, supported by Vitra, CSW Zamek Ujazdowski and Zamek Cieszyn asked the designers to create a product, inspired by one of the three design icons. „Harmonic Chair” starts a narration with the „Organic Chair” designed by C. Eames & E. Saarinen in 1940.
Organic Chair, which was developed in 1940 for the competition 'Organic Design in Home Furnishings' organised by the Museum of Modern Art in New York, was ahead of the times.
Similarly, the Harmonic Chair designed by Maciek explores the newest technology. It is made of sheet of aluminum — a material that can be manufactured and processed ecologically and gains popularity in production of highly specialized electronics or furniture industry. Thanks to CAD tools it was possible to easily compose planar surfaces, cut out of 5mm aluminum sheet and precisely folded.
That harmonic way of shaping brought the name: Harmonic Chair.Furniture Design, Industrial Design, Product Design2012 -
"In turns" is a design experiment involving young Polish designers. Each group member created one object and incorporated it into a series of interventions introduced by others. The title motif, 'in turns', refers to the method of work which will result in a collection of functional objects, a recording of features of all designers who decided to intervene.
At the same time, the title of the project touches upon the nature of 'turn' as a 'change'. The key aspect of the whole is the design process and subsequent stages of development, documented and presented in the form of a video during the exhibition.
"Na zmianę" to eksperyment projektowy z udziałem młodych polskich designerów. Każdy z członków grupy stworzył jeden obiekt
i włączył go w cykl ingerencji przez pozostałych "sprawców". Tytułowe hasło "na zmianę" opisuje metodę pracy, w której efekcie powstała kolekcja funkcjonalnych obiektów, będących jednocześnie zapisem cech wszystkich projektantów, którzy podjęli się ingerencji. Kluczowym aspektem całości jest proces projektowania i kolejne etapy rozwoju, które zostały udokumentowane i zaprezentowane
w postaci filmu podczas Łódź Design Festival.
2011 | Łódź Design Festival | Sprawcy (Jan Kochański, Agnieszka Mazur, Kamila Niedźwiedzka, Przemek Ostaszewski, Maciek Sobczak, Nikodem Szpunar, Łukasz Wysoczyński, Małgorzata Żółkiewska)
Exhibition Design, Furniture Design, Product Design2011 -
A school project for the competition by Hansgrohe.
An approach to the topic of “Water Conservation”. The water tank’s transparent casing allows one to observe how much water is being used while washing up. This prompts the user to be conscious of conservation.
You can disconnect the system and use the tap in a traditional manner.
The project was awarded 3rd prize in the Design Ideas – Hansgrohe 2006 competition and has been exhibited at 5th International Design Biennial Saint-Etienne, 2006.
Maciek Sobczak, (prof. Paweł Balcerzak, Academy of Fine Arts in Warsaw)Furniture Design, Interior Design, Product Design2006 -
An approach to the competition organized by Teatr Wielki – Opera Narodowa in Warsaw and BMW, in 2012–13:
The aim of the competition was the selection and realisation of the concept of a mobile pavilion, allowing the OperaLab Project to perform a number of artistic and intellectual activities — from exhibition presentations, through film screenings, ballet and opera presentations, to concerts and discussion panels. The form of the pavilion should communicate the innovative character of the project, amalgamating many artistic disciplines and carry the identity of Teatr Wielki – Opera Narodowa and BMW, creating a dialogue with the urban space.
According to the assumptions of the competition for the design of a mobile exhibition pavilion, constituting the core of the activity of OperaLab the pavilion should be built from renewable materials and its structure should be flexible and easy to assemble and dismantle. An important aspect of the project is a creative reference to the architectural identity of Teatr Wielki – Opera Narodowa and its interpretation using modern forms of expression and the idea of innovative mobility — the identity core of the BMW brand. The mobile pavilion should consist of modules, so that it can be easily adapted both in an open urban space and indoors, with particular emphasis put on the space of Teatr Wielki – Opera Narodowa.
The structure of the pavilion should be based on easy transformation, allowing a wide range of activities, including exhibitions, organisation of meetings, film screenings or the organisation of intimate shows.
The production cost should not exceed PLN 200,000 (€ 50,000).
Authors (architecture&design): Maria Górska & Maciek Sobczak
3D (modelling&rendering): Piotr Hołod & Maciek Sobczak
2012–13, first published: 2014
Architecture, Exhibition Design, Landscape Design2013 -
The Royal Castle in Warsaw wayfinding systemExhibition Design, Graphic Design, Product Design2014 -
A proposition to promote Warsaw by showing the advantages of city parks. A simplified map shows the locations of parks and the connections between them, how to reach them, and also, importantly, it shows the parks in terms of their nature (e.g. the amount of green).
The complete system includes a number of information boards (citywide, inside the parks and held at entrances to parks), maps and signs, as well as leaflets promoting Warsaw's parks.
In many ways, the system is visually consistent with the current City Wayfinding System (MSI).
The project is almost ready for implementation — to begin to implement it, the involvement of city authorities is necessary, namely: District Offices, Municipal Department of Sanitation, Municipal Department of Public Areas, National Museum in Warsaw...
(Master's Degree — Academy of Fine Arts in Warsaw, prof. Ksawery Piwocki, as. Albert Salamon)Graphic Design, Landscape Design, UI/UX2008 -
KreAKCJA is a concept of design workshop dedicated for children, youth and even the whole families. We visited many places in Poland and offered different tasks. More information about KreAKCJA can be found on our website.
Art Direction, Costume Design, Creative Direction2006—2014 -
Balonowa was designed for a polish fashion brand Pan Tu Nie StałFashion, Graphic Design, Typography2013 -
PKS Radom leggings are based on a typography which was found on the bus schedule in Radom. It is a great example of a graphic strand we call Typo Polo. Design for a polish fashion brand Pan Tu Nie Stał.Fashion, Graphic Design, Typography2013 -
WellDone Dobre Rzeczy brand identity.
The project included logo, packaging graphics, www and additional prints.
One of the finalists in ED Award 2012 design competition (Brand Implemetation cathegory).
Designed by: Bartosz Dobrowolski, Michał Stefanowski, Maciek Sobczak
packaging concept: Weronika Woch, naming: Maciej KonopkaBranding, Graphic Design, Packaging2011—14 -
A simple, but elegant logotype for Polish model Damian Haberny. Photos by Maciek Sobczak & Wawrzyniec Skoczylas.Branding, Graphic Design, Photography2013 -
Bitzer is a font, in which extremely wide uppercase is mixed together with moderate lettercase.
Bits of this. Bits of that.
A good choice for posters, titles, headlines & signs.
2013
Bitzer (kundel) to krój pisma, w którym nieproporcjonalnie szerokie wersaliki zestawione są z wąską minuskułą.
Trochę tego, trochę tamtego.
Dobre rozwiązanie dla plakatów, tytułów, haseł, nagłówków i oznaczeń.
2013
Branding, Graphic Design, Typography2013 -
Graphic identity of the project led by Pratt Institute in New York and Academy of Fine Arts (the Faculty of Design) in Warsaw, powered by the Adam Mickiewicz Institute. The focus of this project was with regard to the exchange of ideas and opportunities for public landscape, promoting social networking.
The design utilizes my recent typeface: Bitzer.
Cooperation: Joanna Żaboklicka.Graphic Design, Print Design, Typography2013 -
PureRosary is an extremely elegant and mystical variant of a well known rosary. Developed in 2012 in Poland, by Sacrify, provides a simple and beautiful interface, making every prayer an unforgettable experience.Graphic Design, Programming, UI/UX2014 -
Identyfikacja wizualna Konsorcjum BS9 — odpowiedzi grupy czołowych polskich przedsiębiorstw
i ośrodków naukowo-badawczych na zapotrzebowanie polskich sił zbrojnych w zakresie pozyskania
nowoczesnych systemów bezzałogowych, ogłoszone w Planie Modernizacji Technicznej
Sił Zbrojnych na lata 2013–2018.
Konsorcjum BS9 zostało powołane z inicjatywy firmy WB Electronics w sierpniu 2013 r.,
wspólnie z Instytutem Lotnictwa w Warszawie, firmami Flytronic Sp. z o.o. i AM Technologies,
Śląskim Centrum Naukowo-Technologicznym Przemysłu Lotniczego Sp. z o.o.,
Wojskowymi Zakładami Elektronicznymi, Wojskowymi Zakładami Inżynieryjnymi
oraz Wojskową Akademią Techniczną.Branding, Graphic Design2014 -
Visual identity for the exhibition of products designed by the students from Academy of Fine Arts in Warsaw
for the State Entographical Museum in Warsaw.
2009 | exhibition design: Daniel Zieliński
Branding, Exhibition Design, Graphic Design2009 -
Corporate identity for BLUEBANANA Event Agency.
Branding, Print Design2010 -
Branding for the hairdressing studio. Cooperation: Wawrzyniec Skoczylas.
Kompleksowa identyfikacja graficzna dla sieci salonów fryzjerskich w Cieszynie. Współpraca: Wawrzyniec Skoczylas.Branding, Editorial Design, Graphic Design2007 -
Brand identity for »Stoczek 1929« — a restaurant in Białowieża, Poland.
Designed together with INNO+NPD.Branding, Graphic Design, Pattern Design2012 -
A poster for actor Sebastian Cybulski, starring in a monodrama. Photo: Radek Polak.
Plakat dla Sebastiana Cybulskiego, występującego w monodramacie. Fot.: Radek Polak.Graphic Design, Performing Arts, Print Design2014 -
Branding for the international competition for young designers, „Light for...?”, organized by Osram. Cooperation: Michał Stefanowski.Advertising, Branding, Graphic Design2008